List Additions

A few things I’d missed in today’s previous post.

  • Lens distortions and abberations got you down? Spend a measily $15 and get PTLens, a good tool that can be run as a Lightroom Editor (and it streamlines the workflow some from a standalone app). I’ve tried it, and it works well. Not as well as a correction module, but that isn’t yet on the radar. Until then, working on a rendered tiff is what you get - and its worht noting that this is Aperture’s solution to everything and it kinda sucks compared to being able to do this fancy stuff on Raw images. See LR 2.0’s Local Corrections for example. Zing! (Via the Lightroom Blog)
  • A reader, Mike Solomon, pointed me to a tutorial and a couple of Lightroom presets on his blog. He says they give photos the “it” that sometimes is needed for advertising photographs. Worth a read.
  • Like to put your stuff on the web from Lightroom? Check out all the galleries on Lightroomgalleries.com
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A Big List of Fun Things

Here is a list of interesting stuff I’ve run into in the past few days:

    Funny story. I walked into this historic inn in Sheridan one morning a few weeks back and found a buffalo head sitting on a table in the dining room. One does not normally see buffalo heads like this. It was in nice light too...

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    Madone Ride Report: Road. 25 miles from my home to Carnation and back. Lovely ride. The leg is feeling good and I’m riding strong. I sprinted up a 800 ft climb for the hell of it.

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    Stephen Johnson on "The Intrigue of Complexity "

    Stephen Johnson has a great guest blog article on “trickery” and “post-processing” and how it is affecting photography.

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    A quote:

    “I would strongly urge people to see simply, and edit simply. Your photographs are your asset, much more so than your Photoshop skills. Those image-editing skills may well be critical to your craft, but they are secondary to your photographic vision. “Fix it in Photoshop” is a prescriptive attitude that often leads to making images not worth investing time trying to salvage through image editing.”

    Amen to that. I resisted digital photography for quite along time, only really shooting digital seriously starting in 2007 with the arrival of my Leica M8. I stuck with film mostly because the prints I could get in Black & White were better with the analog process. I have a darkroom and used it extensively for years, but the last year has seen it become a storage room (like many others I suspect) because the technology (camera ergonomics, printers and paper) improved. While there was always manipulations in the darkroom - dodging, burning, flashing, and cropping, the image generally had to stand on its own merits in that rectangle on the easel. Things have certainly changed, and often not for the better. We all get fascinated with a certain look, style or feel and sometimes its post-processing that gives us what we are looking for, but its always secondary to vision. That frame still has to have it before a pixel is tweaked. I’m really grateful I spent years working with film before I went digital because it taught me to see and to edit. These two skills mean more than anything else, and they take years to learn.

    As one who works on Lightroom and has contributed to other Adobe software related to digital photography, it always strikes me as odd when a great photographer comments on his “lack of photoshop skill” as if to appologize for his work when we talk. These are tools. They help you acheive your vision, but they are no subsitute for it. A crappy photograph is still crappy after 10 actions in Photoshop and some layer magic. I really like Scott’s cajones for publishing this article - as one could easily point out his culpability in the “tips and tricks” arms race.

    Another quote:

    “Solid image editing is far less about secrets, trickery, hidden features and shortcuts, than it is about starting with a strong photograph, knowing your goals, and methodically working toward them. Craft is not tricky; it is most often plain hard work and care.”

    To the point, this past week I was in the field with a friend shooting a story for the National Geographic. We spent a lot of time focusing on getting it right - there were long days (and nights) working with a bag of techniques to make sure that it was perfect. After a few hours of shooting a particular object, we decided that something wasn’t quite right and we’d need do something a bit different. More shooting and more work lay ahead. Of course, the knee-jerk was that we could “just fix it in photoshop” but Alex pointed out that was the easy way out. His comment (and I’m paraphrasing - I was holding a big silk scrim in windy conditions) was fitting:

    “This is the National Geographic - we get it right in camera because it matters.”

    Preach on, brother...

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    Making Lightroom Faster

    Lets face it, no photo application is ever fast enough. We always talk about speed and how important it is, but then you throw 20,000 raw images at it at once and expect it to ingest and preview them in a few seconds.

    Sure, as software developers we always make improvements and talk in terms of seconds, milliseconds and even X times faster. And we mean well.

    Sometimes, it depends on a myriad of factors beyond our control. Have a slow drive? An old computer? Lacking reasonable Ram (and whatever you have, its probably not reasonable enough). Take good care of your computer?

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    Well, there are lots of things you can do, and the guys over at shootsmarter.com have a nice article by Michael Clark on tips to speed up Lightrooom (you may need to sign up to view the article).

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    Link-O-Rama

    A hodge podge of things from the greater photographic world:

    1. The Inside Lightroom blog has a great tip for how to speed up your editing process in Lightroom - and this is one that I inadvertently discovered recently - and now use all the time.

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    2. Strobist has a set of DVDs now available - everyone is talking about this. Great idea. $140 isn't a bad price for what you get.

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    3. Zack Arias (a blog I've been pretty into lately) also has a lighting DVD for sale. Looks good as well - not priced yet though.

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    4. Scott Kelby has an interesting proposal for Lightroom and Photoshop development.

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    And now for something complete different...

    1. DIYBike. I'm building one. Yeah, with all my spare time. Ugh.
    2. Weezer has a new single from an upcoming album. Its been on a "one song" rotation all afternoon. Pork and Beans. Sweet. Man, I love Weezer. Geek Rock, uh, Rocks.
    3. I'm getting old. I missed an internet thing. I finally learned what a Rickroll is - someone inserts this into an email link or other public event. Funny! Love the dancing in the prision-chique denim Rick. I wonder if he knows about this phenomenon. Yes, I just Rick Rolled you, but in a very obvious and non-threatening way. Baaaaam!

    As an aside, its been an interesting week. I've gotten the flu and wasted a whole sunny Memorial Day, my 8 year old nephew was diagnosed with Leukemia and I finally managed to get out on the road bike for a 63 mile jaunt up to Snoqualmie Pass and back in less than 4 hours. It was cooooooold up there in the fog and it took awhile to get feeling back in my toes. And I flat with less than 5 minutes to home. Ugh.

    I'll leave you with a picture...


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    Cheers!

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    Lightroom Round-Up

    Here are a few Lightroom resources I've run into over the past few days;

    • L7Foto has a short video tutorial that talks the basic Pick/Reject/Rating editing task. This is something that every photographer needs to hone - and it takes years.
    • Bridge/ACR/Photoshop or Lightroom? Scott Kelby covers this in his blog post on The Photoshop Insider. I worked on Bridge/ACR and then moved to the Lightroom team a year ago. There was a reason why I jumped ship - Lightroom is a much more focused, organized, efficient tool for 90% of the raw processing task. Period.
    • Peachpit Press has revamped their Lightroom Resource Center. You can even get access to Martin Evening's LR 2 book before it is printed.
    • Matt Kloskowski has revealed some of his deepest, darkets confessions in "Confessions of a Lightroom Addict"
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    Hangin' with Da Kost

    I spent the greater part of today in the Adobe booth, and shared frontline duty with Julieanne Kost.

    We'd met before, but I've never spent much time with her until today. The booth was booming - lots of questions about Lightroom and one thing that people asked was where they could get a bit more information on how to warm up to Lightroom's way of working. I've always recommended the NAPP tutorials and the stuff that George Jardine (our pro photog evangelist) does on his podcast. Well, I should have probably put 2 and 2 together knowing what Julianne does, but she has a plethora of great resources on her website as well.

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    She has some great tutorials for "quick starting" with lightroom, quick editing and a host of individual tutorials on specific features. If you are looking for more great Lightroom resources, please browse to her site and get some popcorn. There are also some short PDFs that cover even more.

    I'd also recomend checking out her portfolio of images.

    Thanks Julieanne.

    So far WPPI is going great. We have a nice booth and I was non-stop Mr. Answer for almost 5 hours. I really enjoy booth duty, and while its exhausting, its a lot of fun to chat up working photographers who live and die on your software.

    So thanks to you guys too. Lightroom is a great product because you help us build it. Go team!

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    @ WPPI

    I'll be at WPPI Las Vegas this week - I'll be taking a few classes and spending the rest of my time in the Adobe Booth (317). Swing by if you are in town and want to chat.

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    A few things from around the web:

    • Your Camera Matters - Michael Reichmann's take on the old adage "Its the photographer, not the camera".
    • Photoshop Disasters - Image editing faux-pas or "how not to use Photoshop"
    • LRG's Complete - LRG's gallery of galleries web template (how many times can I put Gallery in this sentence)
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    Shooting Tethered


    A few weeks ago, I ran across a blog by Joe McNally that showed his setup for shooting tethered...

    http://www.joemcnally.com/blog/2008/01/28/the-mcnally-tripod-rig/

    I've been doing some tethered shooting recently, and this setup makes it so much easier to see what is going on. I'm pretty excited about this and hope to employ it at the studio soon. The small LCD on the back of the camera isn't big enough for the client (especially picky ones, like dancers) to see the end result.

    Sweet.

    I had to reshave Liam's mohawk Sunday. Here are some pictures from a few weeks back...

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    BTW, I'm in San Jose this week (again). More work for the next version of Lightroom.

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    Further Lightroom Tutorials

    I found an interesting link on Noisy Cameras today regarding an interesting set of Lightroom/Photoshop learning resources. It looks like photographer Steve Paxton might have some useful material to share. And it looks like he's based in Seattle.

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    Steve Paxton's Digital Image Processing Tutorials


    I'll be looking over his workflow stuff on the plane ride home from Prague, and will give an update when i get back, but in the meantime, check it out and leave a comments if you have some thoughts...

    As to training, thanks to all those who have contacted me about the Lightroom Bootcamp training sessions that I offer for photographers. I've booked several sessions as a result of a post on Seth Godin's blog and hope to be sharing some insights as I progress.

    Just a note: the pricing for the sessions is currently at $150 for the first two hours. This introductory pricing will last only until January 31, so be quick if you want to score a super deal.

    Also, please check out my series of pictures from Prague (Set 1) (Set 2) pictures...

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