Ballet Photography

I fell into dance photography quite by accident.

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I've always been drawn to documentary photography, and while I've expanded my repertoire substantially over the past year to include studio work, portraiture and the like, it remains a big part of how I see and feel my world.

The backstory..

We promised our daughter she could begin dancing at 4 years of age - and on her birthday my wife quickly found this quirky little studio (Ballet Bellevue) nearby that had the right focus on performances and had a great artistic director with a wonderful pedigree. We really wanted to avoid the cheerleader-esque "dance competition" studios and we were quickly at home in the melee of real dance. She blossomed and grew there and we were happy.

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In late 2006 my wife prodded me to do some work for them. I proposed a project that would document life at the studio over the year and it was quickly accepted. It became and exciting and challenging project - learning to shoot fast moving dancers in less than stellar lighting conditions.

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When Ballet Bellevue had a falling out with Viktoria, their artistic director, we decided to follow her to a new studio she opened nearby - Emerald Ballet Theatre. I continued to shoot for Ballet Bellevue through the rest of the 2007 season, but I felt more welcome at EBT and Viktoria really understood what photography can bring to the equation. She is very open to using photography showcasing her fledgling business and I've done all their advertising and promotional work over the past year. We also helped put the studio together with several friends - the focus was to be a beautiful, organized studio with a simple, beautiful atmosphere. To augment this, I began hanging regular groupings of work and I do sittings with individual dancers periodically.

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Today...

One of the things I've learned is that I increasingly look forward to the big productions - when dancers are in costume and are working hard at their variations on stage. EBT really focuses on performances as a learning experience - and Chloe has really grown because of this. As a new studio, we are still a bit conservative on the number of productions, but our repertoire will expand as we grow.

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We recently finished up our first year and the end-of-year performance. I am very pleased with some of the images I've captured from this past season and am in the process of putting together a book almost 300 pictures from EBT's first year.

Look for it here soon.

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I'm off in a few hours to ride my road bike up a volcano...

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